Showing posts with label musical differences. Show all posts
Showing posts with label musical differences. Show all posts

Monday, 5 April 2021

The Playlist

I have learned something about my relationship with Mrs PM during the year or so of lockdown and restrictions due to COVID-19. It is something that has surprised both of us. 

Over the past year, we have reserved a couple of hours on Friday and/or Saturday night to relax and just chat. Since we are locked down we cannot go out anywhere and so we just talk about life with the assistance of a glass of wine or a beer. 

We used to do this before lockdown in a pub or a restaurant and the one thing that we needed at home was some background music. Usually in a pub, you have no choice about the music that is playing in the background and, as you can imagine, the pop music that plays in these places is not my favourite. I tolerate it because I have to.

Home is a different matter. This is my home and I want to control the music. Mrs PM has the same outlook – she wants the control the music too.

The problem is that our tastes in music are poles apart. She likes dance music and all manner of modern pop music that I despise. I like older pop music and rock music, including progressive rock, heavy metal and basically (as she calls it) “weird music”.

There is no overlap. Here is a Venn Diagram illustrating the music we have in common.


I have all of my music stored electronically on my laptop and I still buy CDs because I want to own it. Mrs PM is transient in her taste and when she hears something she likes, she plays it to death and then discards it when she is fed up of it. She used to buy CDs and then commit an act of pure sacrilege that I can barely bring myself to type – she GIVES AWAY HER CDs. She thinks that I should do the same. 

I know – it’s incredible.

Now she has decided that she won’t buy any more CDs and has taken up a paid Spotify account. This is good for her and I also considered it but for reasons that I am not going to go into now, I decided against it. I have a free Spotify account that I sometimes use to discover new music which results in me buying the CD eventually.

We decided to treat ourselves to a Sonos speaker, a wireless device that you can speak to with Google Assistant and will allow us to set alarms, ask questions, and most importantly play music from Mrs PM’s Spotify account, opening us up to a vast database of music.

If only we could agree on what music to play, given that it has to live in the overlap in the Venn Diagram above.

One Friday, we decided to attack this problem head on. Our discussion was; “What music can we possibly have in common?”

At first we took the tentative steps down the path. 

MRS PM: Do you like Britney Spears?

PM: (having eventually stopped laughing) Of course not.

MRS PM: How about Rihanna? Or Madonna?

PM: NO! I hate them. Oh hang on – there are a couple of Madonna songs I quite like. 

This one:

That was a start. I asked about classic progressive rock and she agreed that this song was good:

That is two songs in common. Over the weeks, we have chatted about music for the first hour or so, popping songs onto the Sonos and either adding them to a Spotify playlist or discarding them. Both of us have been willing to experiment and listen to suggestions and it has only bloody well worked. 

We have built up a considerable playlist of music that we both actually like and this includes, broadly, 1970’s disco, some glam rock, 1970’s David Bowie, 1980’s electronic pop music, ELO, Depeche Mode, Gary Numan, some Nine Inch Nails, one heavy metal song by System of a Down, Some Simon and Garfunkel, one Rush song, early Elton John, Blondie, The Police, Roxy Music, Muse and many many more.

We have between 250 and 300 songs that we can both listen to in the background without either of us complaining. And we are adding more each week.

That’s incredible.

We are both delighted because we can take this playlist with us on holiday or on trips and chat over background music that doesn’t leave one or both of us screaming “For crying out loud TURN THAT CRAP OFF!”

Here a couple of songs from the list to finish off.

The moral of the post is - you can always find common ground and something to agree on.


Monday, 9 January 2017

Progressive Thoughts - Day 9


Today’s song is from the 1970’s and features Dutch Progressive Rock band Focus. The song is called Sylvia and reached the top five in the UK in 1973.



I was eleven when I first heard the song and once more it is an example of how Progressive Rock has influenced my musical taste over the years. At the time, I thought nothing of it because I was young and naïve and didn’t understand the various musical genres that were out there.

I just liked the tune.

I like to think that is the way I am today.

Sadly, people suggest that I am a metalhead, i.e. somebody who only likes heavy metal, because of the bands I see live and the CDs I buy. Nothing could be further from the truth.

I occasionally surprise people sometimes by accident and sometimes on purpose.

For example, one of my work colleagues was walking behind my desk while I was listening to my iPod (I was writing a boring technical document and only music can get me through such a tedious task). He picked up my gadget to see what was playing and was so amazed at the song that he tapped me on the shoulder.

“What’s up?” I asked.

“You’re listening to Madonna!” he exclaimed.

This revelation came as a shock to the other colleagues on my desk, mainly because I often moan about the state of music at the moment and how we are forced to listen to certain artists and genres, while I champion bands that nobody has heard of.

“Be my guest,” I said, indicating that perhaps he should check the other music on my device.

He flicked through it reading out what he thought were the “embarrassing” bands and artists.

“Abba, Adam and the Ants, A-ha, Blondie, Blur, Bruce Springsteen, Classical Music?” he started.

“Yup,” I replied.

“ABBA?” said somebody else with a laugh.

“Coldplay, Elvis Costello, Enya,” he continued. “ENYA? A fine heavy metal artist.”

Somebody then started singing “Like a Virgin” across the desk.

“Kate Bush!” he laughed.

At that point he put down my iPod and I had to endure a tirade of abuse. I didn’t care. I told them that my CD collection showed that when it comes to music, I am not a narrow-minded metalhead. On the contrary, if I like a song, whatever genre it is, I shall add it to my collection.

Of course, they didn’t see it that way and some of them couldn’t see that a person who likes Motorhead can also like Abba. Mrs PM has also been surprised by some of my taste – bizarrely, the contrary is also true. For example, the other week, I was playing a song by Rush, my favourite band, a band that Mrs PM is openly hostile to, when she amazed me.

“I like this song,” she said.

I almost fell off my chair.

There’s hope for her yet.

Sunday, 15 March 2015

The War Against Crap Music


Last night I went to see my current favourite musical hero in concert and this was a euphoric experience in more ways than one.

The artist in question was Steven Wilson, a musical genius in every sense of the phrase.


First, the concert was a triumph. It was everything I thought it would be. The music was perfect and on more than one occasion, I was so lost in the melodies and songs that a tear of joy escaped from my eye and rolled gently down my cheek.
Second, I had persuaded a friend of mine to take a chance and see the concert. His musical taste does not walk hand in hand with mine, but there is an overlap. When I bought the tickets, a few months ago, I suggested that he listen to Steven’s solo music on the internet and also that of his former band (currently on hiatus), Porcupine Tree. 
There was no way he would ever hear the work on the radio so he would have to use the internet. It didn't take him long to find it and since then he has devoured the music. He loves Steven Wilson and, like me, thinks it’s a crime against humanity that this guy is not massively famous. He has already started to delve into his back catalogue.
Finally, the venue for the concert was Manchester Bridgewater Hall, a place usually reserved for classical music concerts. And the place was packed with a wildly varied audience, ranging from the odd rock lover to entire families of music lovers including kids. 
Steven’s music is basically progressive rock but, my God, does the man have an ear for melody. He has experimented with jazz, orchestral arrangements, progressive rock, pop music and heavy metal – sometimes all in the same song. 
What I liked best was the fact that there is a huge audience for his music, people who have turned their backs on shit like the X Factor and radio friendly nonsense that I ranted about earlier this year in A Rant About Music.
I am not the only one.
I have allies in this battle.
It’s not easy though. 
On Friday night, I was in a pub in Manchester, celebrating a friend from work’s fortieth birthday, when I opted to leave early. The reason for leaving was that I wanted a totally clear head to see Steven Wilson and it was the most important event of the weekend for me. 
“Who?” came the incredulous replies as I tried to leave the pub at around 9pm. “Never heard of him!”
I could have stayed and discussed this further with another pint of ale but I chose to leave rather than risking hangover. This was the big event of the weekend for me and nothing was going to ruin it.
As I lay in bed this morning, remembering the concert and trying to describe it to Mrs PM, I discovered that she too had no interest.
“But the music is beautiful,” I said. “I’m not asking you to like it; I’m asking you to listen to the concepts.”
I tried to explain a song called Routine from the latest (and truly brilliant) album called Hand. Cannot. Erase., which describes a woman who uses the routine of the mundane chores every day of her life to keep her going. I didn’t really grasp the full meaning of the song until I saw it performed live, with a very moving animated video being shown in the background. The woman, preparing meals for four, washing, cleaning, ironing to help her sane until towards the end of the song she shrieks finally:
Routine keeps me in line
Helps me pass the time
Concentrate my mind 
Helps me to sleep
And keep making beds and keep the cat fed
Open the Windows let the air in
And keep the house clean and keep the routine
Paintings they make still stuck to the fridge
At this point in the video we learn that her entire family, husband and two children, died in a car crash and the "routine" is how she copes with the loss.
Heart-wrenching stuff that allowed one of my tears to escape.
The song is beautiful, melodic with disturbing undertones and has a truly magnificent guest female vocal and a choir boy and is technically brilliant as well as very intelligent.
The whole album is the same, full of deep emotional songs transcending various genres with a progressive feel but also a couple of, what I would describe as pop songs. Of course, it is progressive rock at the end of the day, but there are no songs that I don’t like.
It is a triumph and to be absolutely frank, should be made available to a wider audience.
I’m not asking you to like Steven Wilson or his music, dear reader; I’m offering it to you as an alternative to the tired old fodder that is spoon-fed to you by corporate executive billionaires who want to peddle crap music that makes them richer. I want to fire a broadside across the bows of radio stations who claim to speak for the population by playing “the music that they love” when in reality they are TELLING the people what music they SHOULD love by limiting the amount they can listen too.
Even Madonna may become an ally in this war as BBC Radio One, the so-called “kids” radio station here in the UK, has removed her current single from their playlist. 
What goes around, comes around, eh Madge? Now you know how the rest of the struggling music makers feel.
I equate this struggle to thinking that McDonald’s is the only place to get food when there is a gourmet restaurant  hidden in the back streets of the city that is not advertised and you have to search around for. Not all these restaurants are good - but most of them are far better than the bland burgers offered by Ronald McDonald.
To complete my role in this analogy, I want to be the man who meets you off the train and says:
"Before you go to McDonalds, take a look at this book, which is full of decent restaurants to try.”
In fact, that's an even better analogy:
Simon Cowell is the Ronald McDonald of the music industry.
Later in the month I will dedicate a meme to Steven Wilson’s solo work and maybe next month, I will do the same for his band Porcupine Tree.
In the meantime, here is a song called Perfect Life from Hand.Cannot.Erase. featuring the spoken words of Katherine Jenkins, the opera singer.



Remember, I’m not asking you to like it; I’m just trying to broaden your horizons and erode the influence of Simon Cowell and his cohorts.

Equally, I am willing to listen to anything you have to offer me, dear reader, and it doesn't matter what genre the music is.

I will champion anything I feel should be out there - even if it's jazz!!

Please join me.

We can do this!

Who’s with me?


Wednesday, 21 January 2015

A Rant About Music


It’s still January, it’s still bloody freezing outside, it is still dark when I go to work and dark when I come home. January and February are the worst months of the year and I spend almost every day feeling pissed off and grumpy.

Yes - it's another rant, I'm afraid.

Little things make my situation worse, tiny little things that ordinarily wouldn’t bother me, things that I would just push to one side and ignore. In January these little things become a major force and infuriate me.

One such thing infuriated me this morning.

I was on my way to work and I decided to change the CD in my car. I had been listening to the new album by AC/DC and I fancied a change. Sadly, when I ejected the CD, I dropped it on the floor and I had stupidly not prepared a new CD to replace it. The car stereo defaulted to the radio, which normally wouldn’t be too bad because my radio station of choice is a local rock station.

And then I found myself listening to a diabolical R’n’B hip hop crossover dirge that almost certainly featured the now obligatory pointless egotistical rap by an artist with a stupid name like $ycho, Snoop Hen or Eminemineminemiem.

I howled in frustration; I couldn’t stop the car and I needed to concentrate because it was dark and cold and the road was full of arses, trying to cut me up. My temper rose to almost boiling point.

Mrs PM had used the car and changed the radio station so I was listening to an inane, moronic DJ with the intelligence of a slug, playing the songs that corporate arses had ordered him to play. In my rage, I couldn’t figure out how to get back to my beloved rock station so I searched the airwaves and found my ears and brain polluted by utter drivel from loads of genres – songs that are played over and over and over and over again. There were new songs, old boring repetitive songs, one hit wonders, and all manner of novelty crap.

They were shit then and they are shit now.

I find it incredible that we as free-thinking humans allow ourselves to be spoon fed by the so-called gods of music who tell us what to listen to, what to like and the styles of music we have to endure. Like mindless zombies we listen to it.

“But the music is great,” I hear you cry. “You are just an ageing dinosaur. These songs are good.”

Some of the songs that receive too much airplay have been good, dear reader – the odd one. However, we are force fed utter dross most of the time because the hidden powers behind what you hear on the radio have a playlist which is absolutely full of the latest “in-bands” who have somehow managed to gain a foothold because they are pretty boys or lovely young ladies.

I am talking about manufactured boy bands, yet another bloody rap artist, a warbling woman who happens to have a great body and can dance along to her terrible song but has little talent.

Even when I stumble across a radio station playing “oldies”, it’s still the same old songs that we have heard all the time and were bored to death by, way back in the 60’s, 70’s or 80’s.

And this subjugation has permeated into everything from adverts to weddings and parties.

Every single party or wedding I ever go to that has a dance floor, either plays modern radio-friendly garbage or old songs that are totally crap but I know all the words to because I have heard them about three million times in my life.

“OH MY GOD! NOT “I’VE HAD THE TIME OF MY LIFE” AGAIN!! SOMEBODY KILL ME NOW!”

Sometimes when I have had to endure dancing to a stupid song like “Tonight’s Gonna Be A Good Night!” for the 2000th time, I sit there with frustration building up inside, fuelled by alcohol, and say to myself:

“Right – let’s get some bloody rock music!” I say and march over to the DJ defiantly. The DJ has usually said something earlier, like “If you have any requests, please come up.”

The conversation goes one of three ways:

PM: Please – I beg you – can you play something decent? Have you got any rock music?

DJ: HA HA HA HA HA HA HA! Sit down, you devil-worshipping dinosaur.

PM: No, seriously – you must have something.

DJ: No – nobody likes it.

PM: I like it.

PM: Don’t care – now piss off!

or

PM: Please – I beg you – can you play something decent? Have you got any rock music?

DJ: No rock music but I’ve got some oldies. How about “Saturday Night” by Whigfield?

PM: AAAAAAARRRRRRRRRGGGGGGGGGGGHHHHHHHHHH!!

or

PM: Please – I beg you – can you play something decent? Have you got any rock music?

DJ: Sure – I’ll see what I can do.

The last conversation sounds promising, doesn’t it? Well it’s not! What the DJ means is:

“I’ll play one of three token rock songs: “Don’t Stop Believin’” by Journey, “Livin’ On a Prayer” by Bon Jovi or “Sex On Fire” by The Kings of Leon.

AAAAAAARRRRRRRRRGGGGGGGGGGGHHHHHHHHHH!!

I hate “Livin’ On A Prayer” because it has become the only acceptable rock song in a DJ’s collection and I have heard it about 100 million times. I quite liked it the first time but now it sends me into spasms of indignation.

I blame people like Simon Cowell and Louie Walsh – and probably many other old rich so-called music moguls – who manufacture pretty boys and girls and flood the radio stations with boring inane crap.

I want to start a revolution – as others are. Let’s boycott the radio and start hunting around the internet for fantastic music that will not get airplay.

I am not just focussing on rock music here – there is music out there that is new fresh and brilliant but never gets played because the image doesn’t fit with the gods of music who decide what we should all be listening to.

I’d like to highlight a song that describes the plight of modern music controlled by the music moguls which predicts the demise of future music.



Several lines stand out:

The music of rebellion makes you wanna rage 
But it's made my millionaires who are nearly twice your age

and

One of the wonders of the world is going down 
It’s going down I know
It’s one of the blunders of the world
That no one care enough

Personally, I think there is hope.

Dear reader, you and I have the power to seek out new tunes, new music – to boldly go where no music mogul has gone before (sorry for the Star Trek cliché but I believe it fits).

I have started already in the music galaxy that is called Progressive Rock and have already discovered two bands – one of them from Poland, a country that Simon Cowell and his ilk will totally ignore.

Whatever music style you love, the internet is your friend.

If I were a DJ I would rebel and spend my entire day scouring the internet for something new, refreshing and amazing – and I would play the songs but not over and over again so that people simply got sick of it. I would prefer people to go out and buy this music from independent record companies or buy the music directly from the band/artist in question.

I would make my radio show the greatest programme on the entire planet. I would welcome all and any music sent to me by like-minded people.

Are you sick of the same old bollox on the radio?

Are you fed up of the same old inane DJ’s who play oldies over and over again and sacrifice new exciting music in order to play “I Just Called To Say I Loved You” for the billionth time?

Are you absolutely pissed off with Simon Cowell and his bloody X Factor?

Or am I really a musical dinosaur?

Come on dear reader - let’s do this! Let’s rebel.

I’ll start the ball rolling – here is a great song by band you will never have heard of:



And it’s an utter crime that I intend to put right in my own small way.

Rant over - for now!!


Monday, 30 August 2010

15 Albums That Will Always Stick With You

Two friends on Facebook challenged me (separately) to name 15 albums that will always stay with me. Here was the challenge:

The rules: Don't take too long to think about this. List 15 albums you've heard that will always stick with you.

There’s a lot more crap about tagging people etc. but you get the gist. I decided to have a go and actually managed to find 15 albums out of my collection. But it was hard, dear reader, very, very hard.

I published the note on Facebook but the note simply contained the albums. I have decided therefore to give you, dear reader, a bit more background into why each of the albums will always remain close to my heart. In many cases, the music on the album invokes memories and emotions that simply cannot be replaced; in others cases the album is listed simply because it is a classic.

Here they are (in roughly the order that they came to my attention):

Supertramp - Crime of the Century (Released 1974)


I love Supertramp and this is quite simply my favourite album by the band. At the tender age of eighteen, I escaped the clutches of my parents with three mates and spent a fun filled weekend at a cottage in Wales. There are many classic tracks on this album, like School, Crime of the Century and Hide in Your Shell. My favourite song is Dreamer.

Click here to listen to Dreamer.

U.F.O. - Strangers in the Night (Released 1979)


“Hello Chicago! Would you please welcome from England – U.F.O!!!!

These are the words that send a shiver down my spine even to this day. Strangers in the Night is a double live album from a British rock band called UFO and it has pride of place as the very first rock album I ever bought. It changed my musical direction and for that alone it will always remain in my heart. And of course it contains Rock Bottom one of the best live rock songs ever.

Click here to listen to Rock Bottom in all its glory

Deep Purple - Made in Japan (Released 1972)



“What’s that bloody screaming racket?” howled my father when he heard Ian Gillan screaming on Child in Time.

“It’s the future,” I decreed.

“Well if that’s the future then God help us,” he replied in disgust.

This is Deep Purple at their very best, performing in Japan, live and raw, with the Mark II line up.

Click here to listen to Highway Star

Rainbow - Rising (Released 1976)

The greatest rock album of the 70's is Rising by Rainbow. You only have to look at the line up on this magnificent magnum opus: Ritchie Blackmore, Ronnie James Dio and Cozy Powell, arguably the greatest guitarist, singer and drummer of that time.

The opening bars to Tarot Woman send shivers down my spine and the Stargazer and Light in the Black combination portray rock music in its purest and best form.

Rest in peace Ronnie James Dio.

Click here to listen to Stargazer

David Bowie - Scary Monsters (and Super Creeps) (Released 1980)

There had to be a David Bowie in my list and I really struggled to decide which one. Aladdin Sane almost made it but it was edged out by Scary Monsters simply because it reminds me of a transitional time in my life when I was studying for A-levels and hoping to go to university but having to juggle life with mates who wanted to drink and chase girls.

I wanted to do that too but my dad led me on the right path. I hated him for it because I thought I was missing out. Of course, in the long term I can’t thank him enough.

It was just such a shame I never got to tell him – he died in 1981.

This was the last great David Bowie album.

Click here to listen to Scary Monsters

Led Zeppelin - Led Zeppelin (Released 1969)


Led Zeppelin’s debut album is the greatest blues rock album of all time in my humble opinion. I didn’t really get into Led Zeppelin until university so I was a late developer in that sense. When I had finished my final exam in my final year, I went back to my room and played Communication Breakdown at full volume – all the stress of revision and hard work was unleashed with Robert Plant’s magnificent vocals.

Dazed and Confused is one of the greatest blues rock songs of all time.

Click here to listen to Dazed and Confused

Rush - Signals (Released 1982)

Regular readers will know that Rush are my favourite band and Signals will always be special because it was my first real exposure to the power trio from Canada.

On the strength of this album I blew a large amount of money to see the band for the first time in 1982 as a student. They have been with me ever since.

Click here to listen to Subdivisions

Tears for Fears - Songs From the Big Chair (Released 1985)

I loved Tears for Fears in the early 80’s. Their first album had some great pop songs that still remind me of my time at university.

Nevertheless, it was nothing compared to their second album, Songs From the Big Chair, which in my humble opinion is the greatest pop album of the 80’s.

There are so many great tracks on it including Shout, The Working Hour and Mother’s Talk.

However, I think my favourite is Head Over Heels which is a wonderful song that quite simply stirs my emotions and brings a tear or two to my eyes.

Click here to listen to Head Over Heels

Rush - Power Windows (Released 1985)

In 1985, I had a touch and go long distance relationship with W (who ultimately became my wife).

I lived in Manchester and she lived in Harlow (a town about 30 miles north of London). The relationship was struggling because of the distance and each of us commuting alternate weeks.

Power Windows helped me to cope with the train journey to London every fortnight and I played it over and over again and it allowed me to forget the trauma of this challenging relationship. I knew every second of every song on the album and it was probably the first album that caused embarrassment for me, when I sang it aloud without thinking.

Eventually W moved up to Manchester and all was well – until the divorce some years later that is.

Anyway, every song on the album is legendary. Particular favourites are Marathon, Territories and The Big Money. My overall favourite is Mystic Rhythms.

Click here to listen to Mystic Rhythms

Queensrÿche - Operation Mindcrime (Released 1988)



I love a good concept album and concept albums do not come any better than Operation Mindcrime by Queensrÿche.

It tells the story of a man who becomes a political assassin and is accompanied by some of the finest music you will hear from a heavy metal band. It spawned a sequel a few years ago which, while good in its own right, didn’t quite live up to its predecessor.

If you love progressive heavy metal and haven’t heard Operation Mindcrime, you simply MUST. I urge you. You won’t regret it.

Click hear to listen to the introduction and Anarchy-X/Revolution Calling

Nine Inch Nails - The Downward Spiral (Released 1994)



Trent Reznor is a genius. I love the guy – he can do no wrong. His band, Nine Inch Nails, first crossed my radar when I heard Closer, a very intense and controversial song that was a single containing a few expletives.

It was a fusion of the electronic music I loved from the early 80’s with a hard rock edge and I instantly became a huge fan. Closer is just one of a plethora of powerful songs that appear on The Downward Spiral, a wonderfully dark and malevolent album that takes no prisoners.

It is Trent Reznor’s finest masterpiece.

Every song is brilliant, from the opener Mr Self Destruct through to the wonderful Hurt, a song so enthralling that it was covered by the legendary Johnny Cash with an accompanying video will make you cry (well it made me cry anyway – but I can be a soppy git sometimes). My dad was a huge fan of Johnny Cash and I think he would have loved it.

Click here to listen to Hurt by Nine Inch Nails

Click here to listen to Johnny Cash’s incredible version of Hurt

Metallica - Master of Puppets (Released 1986)

I dismissed Metallica as “too thrashy” in the 80’s mainly because they were a little too heavy for my taste. However, with the release of the Black album, I decided to have another peek at them.

A mate recommended Master of Puppets as their magnum opus – I gave it a try and realised that Metallica were more than just a thrash metal band – they were fantastic musicians. Master of Puppets is quite simply one of the greatest heavy metal albums of all times.

Yes it’s heavy but it is in places extremely tuneful and shows that the band are quite diverse.

Highlights include Battery, Master of Puppets, Welcome Home (Sanitarium) and the instrumental track Orion, which shows the musicianship of the band.

Click here to listen to Orion

Air - Moon Safari (Released 1998)


As I get older, I am drifting more and more into mellow music, the kind of chill out tunes that you can listen too in a dimly lit room full of candles and watch your stress fade into a cloud of ecstasy.

It all started in Hong Kong when I first heard La Femme d’Argent on a CD that came with Q magazine. I listened to it while doing some work in the hotel room and I found myself floating away with the subtle tune. Before I knew it, I was lying on the bed and smiling.

Mrs PM remarked that the song was totally unlike anything I championed in the music world. And I agree. It isn’t loud andheavy and it doesn't have a stomping beat. It is mellow, tuneful and wonderful.

I was so struck by this new style that I bought the album the next day – and it blew me away. Songs like All I Need, Talisman, You Make It Easy and New Star in the Sky will destroy stress and tension in a heartbeat. La Femme d’Argent is still my personal favourite.

Click here to listen to La Femme d’Argent, preferably in a dimly lit room with candles and a glass of wine.

Watch the tension vanish.

Rammstein - Mutter (Released 2001)


In complete contrast to Air, I present to you Rammstein, a German industrial rock band who are as brilliant as they are controversial. Most of their songs are sung in their native German and their lyrics can be offensive. I have met two German people, both women, who found them objectionable and told me their opinion in no uncertain terms. That said, their music is wonderfully heavy and utterly crazy.

The album Mutter is the best of their albums and includes Feuer Frei (from the movie XXX) and Sonne.

The less said about Zwitter the better (in terms of lyrics).

My favourite is a storming tune called Links 2-3-4 and I personally think that even if you claim not to like heavy metal or German lyrics sung in a growling voice, you will deep down at a primeval level put the song in that vault labelled “Guilty Pleasures”. Trust me – I know what I am talking about.

Click here to listen to Links 2-3-4

Dream Theater - Images and Words (Released 1992)


For many years friends who love heavy metal or progressive rock have been urging me to listen to Dream Theater. I capitulated last year and listened to Images and Words on Spotify.

Not since Rush has a band had such a profound effect on me.

After listening for the second time, I bought it and I still haven’t stopped playing it almost a year later. In fact, I have gradually been buying all their albums ever since and only have two to go to complete my collection. Like Rush, Dream Theater are masters of progressive rock but with the added bonus of having a more metallic tendency (some have called their style progressive metal).

Also like Rush they are virtuosos and play their instruments technically and flawlessly. Each song is a mini symphony (and some are very long, lasting ten minutes or more in a lot of cases).

Images and Words is one of the greatest rock albums of all time with Pull Me Under, Take the Time, Learning to Live and Metropolis Pt 1.

Here for your listening pleasure is another classic song from the album: Under a Glass Moon

And now, dear reader, over to you.

That just about wraps it up from me. Finding 15 albums from my collection that will always stick with me was very difficult to be honest and could really have been 100 albums.

I challenge you, dear reader, to name 15 albums that will always stick with you either in a comment or on your own blog if you have one. I don’t care whether you like Abba or Eminem; Beethoven or Black Sabbath, Jazz or DJ Jazzy Jeff – name your albums and then let me know.

I think you will find it very difficult.

Wednesday, 3 March 2010

Painful Music


Regular readers will know that I am very opinionated when it comes to music. I know what I like and I immerse myself in that music blotting out everything else as I embark upon a voyage to harmonious heaven.

Sceptics will say:

“Harmonious heaven? Absolute bollocks! You like heavy metal!! Don’t you mean Hell???”

I don’t want to sing the praises of rock again but I absolutely love classic rock, progressive rock and heavy metal.

However, my taste is quite varied in reality; I like classical music, I like old school dance music, 80’s style electronic pop music, some rock and roll, blues, a touch of Neil Diamond and even old stuff performed by the likes of Frank Sinatra and Sammy Davis Junior. I love the Rolling Stones, the Beach Boys, the Beatles and early Elvis Presley. I love a lot of stuff by Simon and Garfunkel and I think bands like ELO and Supertramp are fantastic.

Basically, if I like it, I will buy it, enjoy it and allow it to possess me, no matter what the style.

However, since I met Mrs PM, my patience and my willingness to embrace other modern genres has almost been annihilated.

You see, Mrs PM and I are seven years apart in terms of age but light years apart in musical taste. She hates my music and I hate most of hers.

Since we got together over ten years ago, our only major disagreement is what gets played in the car when we are driving somewhere – or watching music channels – or listening to the radio – or deciding what music to play when we have friends around – or deciding which musically themed bars to go to.

It is a major source of frustration to me that her taste and mine is so different.

It is a major source of frustration to Mrs PM that my taste and hers is so different.

I say: “I wish you liked just one of my favourite bands”

She says: “I wish you would see sense and stop listening to that shit music.”

Whenever she introduces me to a new friend of hers, her third sentence is “Dave likes heavy metal. His taste is really abysmal.”

One of the problems I have with Mrs PM’s choice in music is that her taste is so transient. She will buy a CD and become captivated by it for approximately six months. And then she will discard it and say: “It’s over! I’m sick of it!”

She commits what I regard as a heinous crime: she sells her CD’s when they are “over” for her

I know; it’s shocking isn’t it?

I have never, ever, ever, ever sold any music that I have bought – even if I only like one song on the album.

Music is for keeps – not just for Christmas.

If you sell a CD what happens if you are suddenly possessed by nostalgia and need to listen to something from the 70’s?

Mrs PM disagrees; she accuses me of hoarding music and when she decides to have a clearout she asks me a question that shocks me to the very marrow of my bones:

“Shall I put some of your old CD’s on EBAY?”

That is a crime in my view.

“NO! NO! NO! NO! NEVER EVER EVER SELL MY CD’S!” I scream in incredulous shock.

She merely shrugs her shoulders and says: “I only asked.”

I ONLY ASKED? I ONLY ASKED?????

It's like asking me to sever my own finger.

She thinks I never listen to old music, forgetting that I have a 40 Gigabyte mp3 jukebox with 5482 songs on it ranging from Beethoven to Black Sabbath, Abba to AC/DC and Kate Bush to Metallica.

And it is only 75% full.

I listen to it on “shuffle” so I constantly get a massive variety of music from the very first album I bought to the very last one. Admittedly, the bulk of music (probably about 70%) is rock but the rest is a smorgasbord of fabulous tunes from other genres.

So why are our tastes so different and how do we cope?

From the earliest days of our relationship I was gently promoted my favourite bands. In the honeymoon period, she listened to it with a sweet smile. I knew the honeymoon period was over when she suddenly said:

“ENOUGH!! I AM SICK OF YOUR MUSIC! IT IS SHIT!!”

And then the onslaught began. Mrs PM, my sweet, kind lady went on the attack, subjecting me to her dreadful music in all of its diabolical glory.

Over the years I have had to put up with that dreadful dance music that just goes something like this:

BOOF! DOOF! BOOF! DOOF! BOOF! BOOF! BOOF!
BOOF! DOOF! BOOF! DOOF! BOOF! BOOF! BOOF!
BOOF! DOOF! BOOF! DOOF! BOOF! BOOF! BOOF!
BOOF! DOOF! BOOF! DOOF! BOOF! BOOF! BOOF!
BOOF! DOOF! BOOF! DOOF! BOOF! BOOF! BOOF!
BOOF! DOOF! BOOF! DOOF! BOOF! BOOF! BOOF!
BOOF! DOOF! BOOF! DOOF! BOOF! BOOF! BOOF!

I have to endure wailing women and bleating men; Britney Spears, Christina Aguilera, Lady Ga Ga, Black Eyed Peas, Justin Timberlake, The Sugarbabes, LL Cool J, Destiny’s Child, Beyoncé, Jay Z, Girls Aloud, Jennifer Lopez, Basshunter, Rihanna, The Pussycat Dolls, Mariah Carey and all sorts of artists that feel the need to inject rap into the middle of a song. I have to endure hip hop, garage and all that bollocks they play on Galaxy Radio. She plays triple CD’s from the “Ministry of Sound”, which incidentally I would like to brand “Ministry of Shit”. I have to suffer R’n’B which is so BORING and one dimensional it puts me into a coma just contemplating it.

Thank heavens she doesn’t like boy bands like Take That and Westlife – I think if she did I would possibly go insane.

There’s lots of other stuff she likes that I simply cannot categorise apart from in the bucket labelled “CRAP!”

Mrs PM will never go into a bar that plays rock music but she drags me into bars and pubs that play new bilge at an ear-splitting volume, and while I am screaming to make myself heard, she will nod her head in time to the music and mouth “I LUURRVVEE THIS SONG!”

And I put up with it!!

Anyway, I am pleased to say that there is a slight overlap. Here’s a graphical representation of how our tastes compare:

Mind you, I have actually tried to listen to her music and incredibly some of it has broken through the barrier. Here are one or two that Mrs PM has introduced to me over the years and that I actually like (quite a lot in fact - but don't tell Mrs PM):

Fatboy Slim – Weapon of Choice
Gwen Stefani – What You Waiting For?
Robyn – With Every Heartbeat
Morcheeba – The Sea
Moby – Porcelain
Rogue Traders – Voodoo Child
Dido – Here With Me
Outkast – Hey Ya!
The Ting Tings – That’s Not My Name
Madonna – Ray Of Light
Massive Attack - Teardrop
Goldfrapp – Strict Machine
Bodyrockers – I Like the Way You Move

There are a few others, but I guess you get the drift. Sadly, with Mrs PM’s transient nature, most of them are now out of favour anyway.

Amazingly however, Mrs PM actually vaguely likes one of my favourite bands – Nine Inch Nails – just the odd song but it’s a start.

And finally, my dear, if you are reading this, here’s a fabulous song that I think you might like:

Follow this link

Strangely I think of Simon Cowell and his minions when I hear it.

Enjoy.